Financial Adviser Academy
Rajiv Jain Photography – An overview
Photo Rajiv Jain – A look ……
Rajeev Jain, India, Kenya Photo is a visual storyteller who loves to explore and work with different styles and formats through the lens of a camera and lighting. His credits include shooting and experience, short films, promos, TV commercials and video clips. Rajeev has traveled throughout Asia, Europe and the Middle East and shooting require different environments. With his vast experience in a variety of means, has the capacity only adapt to a variety of backgrounds and personalities. - The Pioneer, January 2010
Nationality: India
DATE OF BIRTH: November 29, 1968
RESIDENCE: Dubai Mumbai and Nairobi
EXPERIENCE WORKING: the famous cinematographer from India to Kenya with a long successful career of 21 years (7 years experience in chamber and 14 years as PDO)
PROFESSIONAL Guild: Member of the ICS (Indian Cinematographers Society) and WICA (Filmmakers Association of India Western)
EXPERTISE: good reputation in the display, camera staging, and in particular, the lighting design. Experience in photography 35mm anamorphic (Cinemascope) and "forgotten" the art of black and white cinematography. Experience with the latest digital video systems, digital video to high definition.
Formal training: Academy Bhartendu drama (Natya Academy Bhartendu), India. The school has an international reputation respected.
Training Additional: He studied at the internationally renowned filmmakers: Ashok Mehta SAI, WICA, Binod Pradhan and SAI SAI WICA end KK Mahajan WICA. Participation in workshops with offerings Subroto Mitra SAI SAI WICA and Late Jal Mistry, WICA.
Job Description: Title: Chief House (lighting and Operations) Department
Division: Department of Cinema and Television: House
Note: 8H
Job Objective: to conduct and coordinate the work camera and lighting equipment in the room operations. To meet visual needs of the producer or director. Working as part of the crew in school, and the location, the operation of various types of photographic equipment. In addition, his colleagues the opportunity to lead and support available for suitable operators, taking greater responsibility for planning, development and evaluation of others.
Details reports: Notify me directly Producer and Executive Producer / Producer / Coordinator of resources.
BACKGROUND: I will provide expertise vessels and facilities for domestic production and program managers independent.
The main responsibilities, duties and functions: 1. Study writing.
2. Interpret how the scenes should look like.
3. Select the cameras and equipment are needed and be responsible for all aspects of camera operation and related equipment and ensure that the equipment operates within specifications.
4. Decide the location of cameras and lights.
5. Installation of cameras and lighting equipment like platforms to achieve production targets.
6. Work with and follow the instructions producer / director.
7. For advice on the best way to turn a film or a scene.
8. Select the cameras to film or record the action and operate the equipment associated with the highest technical level and art.
9. Serve as liaison between the talent, directors and producers and discuss with the producer or director, proposed style and treatment of given program and to advise the potential production of equipment and personnel requirements.
10.Allocate tasks and help monitor a camera crew as a delegate to the Director in the field or study.
Arrange the lighting in 11 categories and be aware of, initiate, develop creative lighting techniques and styles and changes in equipment and in light of the area / s Action ensure adequate exposure, taking into account the needs of production and subsequent operations and treatments.
12. Perform other duties as required and according directed by department head and leader of the camera and act as primary point of contact in dealing with the production, consultation with other team members on issues arising from the needs of the program.
13. Working in collaboration with other team members achieve consequences for the work of the proposed treatment of the visual field.
14. Be responsible for the management of equipment and materials related to health and safety and advise the Director on the risks of the proposed method of shooting.
15. Keep abreast of new equipment, production techniques and changes in working practices.
SURVEILLANCE CAMERA: 1. monitoring and survey operations on Location camera.
2. Rig photographic equipment.
3. Planning the camera moves.
4. Liaison with directors, producers and staff lighting.
5. effective deployment of resources.
6. The supervision of staff.
LIGHTING: 1. Lighting Design and planning of the original study.
2. Setting up the studio lighting.
3. performance studio lighting screening programs, both live and recorded.
4. Working to deadlines and budgets.
5. effective deployment of resources.
6. Interpretation and realization of the aspirations and the art program producer.
COMPLEX Lighting: separation of overlapping colors (CSO) work
I) For the specialist programs
ii) for programs based on location
The creativity of ENTER: 1. Tips and information on the history of treatments in terms of production value and technical feasibility.
2. Directs the program.
3. Perform management either outside or study, taking into account the constraints of time, lighting conditions and film-techniques.
Leadership Team: 1. to act as a point of contact for clients of the department.
2. Hours of other team members resources, determine where the appropriate level and nature of support required to provide a quality service.
3. Responsible for evaluation development and management team members less experienced.
With clients: 1. clearly explains the limits technical and operational for the program – those responsible.
2. Interpret customer requests and budget constraints, their needs art of the most creative ideas possible to make the program.
FISCAL / AWARENESS OF THE DAY: 1. Plan and organize tasks and projects, ensuring the workload is a priority after hours advocacy and resource requirements of the company.
2. Awareness of the compromise between cost-effectiveness required by the resources of the business and creative / artistic input that customers tend to ask or wait.
3. To return all the documents required by the department immediately, including time sheets.
4. Scan-to-market for customers independent network or enterprise.
Key selection criteria: 1. Operational knowledge of all films and video formats that are used today.
2. A thorough knowledge of the camera or lighting techniques and equipment associated with a high level, the experience gained by the camera and lighting operations.
3. Advanced artistry.
4. Excellent interpersonal skills.
5. Ability to work under pressure and respect deadlines.
6. Ability to interpret and apply policy production company and business procedures.
KNOWLEDGE OF THE HEALTH AND SAFETY: 1. Evaluation Risk
2. Manual handling
3. Awareness of fire safety,
4. Electrical Safety
5. Noise work
6. Show awareness of the screen.
7. Ensuring a safe working environment by eliminating potential hazards and OH & S production of the implementation of housing policy and corporate procedures.
EXPERIENCE: I am 21 years old experience in the broadcast, TV, video, media, film and entertainment.
Skills: Ability to:
1. Assess the impact on costs associated with operating the camera and lighting techniques.
2. skills Display excellent communication, tact and diplomacy and liaison with people on all levels.
3. balance conflicting demands and changing needs.
4. Being a good team player.
ATTRIBUTES The personal skills /: 1. A good understanding of the importance of customer service and ability to implement.
2. Understand the basic requirements of the post-production, sound design and other related trades.
3. Commitment to training, development and evaluation.
4. The knowledge and commitment of the Company and its values.
5. A current license, clean driving.
6. The normal color vision and hearing.
The work for television and Film:
Job Title: Director of Photography / Photography / Lighting Cameraman / Videographer Cameraman /.
Worked on these aircraft:
Cameras: Panaflex Millennium XL Panaflex Platinum, Panaflex Gold II G Moviecam compact IV-S 35mm Arriflex BL Evolution, Arriflex 535 A, 535 B Arriflex, Arriflex 35mm Arriflex 435 Advanced III, SR-III Arriflex 16 advanced, high-speed Arriflex 16 SR-II, PhotoSonics (4B, 4C, 4E, 4ER).
Video cameras and Hi – Def. Cameras: Panavision HDW Digital HD – F 900 Sony BVP P – 900, HDC – 900, Sony Sony HDW – F 900 camcorder 24P Cine Alta HD Cam Sony HDW-700 Sony DVW – 790 WSP Sony NWD – 90 WSP Sony DSR – 500 WSP Sony DSR – 300, Sony ADI – 900 W Panasonic AJ-HDC24A, Ikegami cameras (HLV-59 digital and HL45).
Steadicam / Panaglide: Ultra Cine, Ultra Elite, SK 2, Pro Vid 2 + Mini Steadicam JR.
Media: Tyler Helicopter Mounts.
Cranes: Super Panavision Tehno Crane, Jimmy Jib Triangle Akela addition, Strada, Scanner Crane Classic.
Trolleys: Super Pee Wee IV, Fisher 11 Sport Dolly Dolly beef Ultra Lencinas pedestal.
Lighting: Chimmers, 575W – 18KW Ballast, HMI Pars, Kino Flo s, and Avengers DCArcs Bogen.
Tools Power Pod, Hi – Lo platform doggie cam, lens system Revolution, periscopes, probes, UCR, Unión Islamic Courts, Weaver Steadman, interval.
Career Highlights: – Director of Photography for 14 years (1993-2008) experience features, commercials, television and video clips. Gofer, apprentice, trainee House, Spark, Grip, Key Grip Best Boy, man, Focus button, and Operator Clapper loader camera with 7 years (1985-1992) experience in various media. Experience in the Super 16, 35mm and digital – Video of high quality, high definition creative and artistic lighting and protection of the image.
I am interested in inventive and innovative projects and productions requiring experience and artistic talents in a collaborative environment. Please see my resume for more details on productions and projects.
Rajeev want to listen to you and make your vision a reality.
CREDITS: July 5 second movies Feature Film Feature Film Unit (Additional images)
5 short
1032 Announcements / TVCS
TV Specials Industrial 105 – Corporate Video – - Magazines – Documentary
Music Videos 43
Series 6 TV
Specific Skills:
SPECIAL EFFECTS – I have experience with a blue screen, front projection and rear plates process, Miniatures, Laser anamorphic and Motion Control.
AIR PHOTO – I have much experience shooting from helicopters and fixed wing aircraft with Tyler, Continental and systems gyrostabilisers.
MUCHA FOREIGN Problem: An area of interest for me process was the matte blue and green.
Recently, I shot 30 points enormous green screen for promotions. Provides Also the lighting in a virtual reality music, based in Mumbai that specializes in virtual environments.
Best part is the design of adequate lighting in many different contexts in which the vaccines will be placed.
I worked with over 175 producers, production houses for 14 years, photographing many live action, commercials, feature, shot in the Premier Special time network and serial.
I worked with the effects supervisors on numerous projects. It's a camera control 35mm motion. I was also a second unit director and the effects unit of photography in many advertisements.
Over years my mind has become accustomed to seeing a bright image, even before the light thrown on the truck. The numerous joint projects with the Technology news teams need to work in a fun and exciting industry in constant evolution.
I have also been twice nominated director of photography. Since 1993, I worked as cinematographer on several independent films.
I'ma active member of the Society of Cinematographers western India and Indian filmmakers Association.
I currently take 200-250 days 35mm and 16mm year, and the band.
Tags: Bhartendu, Natya Academy of Dramatic Arts, Photography, Cinematography, India, India, Kalpvriksh The Wishing Tree, Kenya, Kenya, Rajeev Jain, Rajiv Jain
Author: Author of "unity: GREAT shared principles by all religions "JeffreyMoses is a writer and business best-selling author of the unit: the principles shared by all religions. He has written over a dozen books, including many reports for individual clients. HISTORIES OF ENTERPRISE AND FINANCIAL Writer: As a writer and financial companies since 1984, Jeffrey has worked with advertising agencies, banks, brokers national insurance companies, Advocate hospitals and businesses in the PCA, manufacturing companies, telecommunications companies and enterprises of all types to produce promotional material and business literature. Also, specializes in writing stories of corporate business and souvenirs personal individuals.
About the Author
AUTHOR OF “ONENESS: GREAT PRINCIPLES SHARED BY ALL RELIGIONS” JeffreyMoses is a business writer and the bestselling author of Oneness: Great Principles Shared by all Religions. He has written more than a dozen books, including many memoirs for individual clients. CORPORATE HISTORIES AND FINANCIAL WRITER: As a business and financial writer since 1984, Jeffrey has worked with advertising agencies, banks, national insurance brokers, attorney and CPA firms, hospitals, manufacturing companies, telecommunications companies, and businesses of all kinds to produce promotional material and corporate literature. In addition, he now specializes in writing Corporate Histories for companies and personal memoirs for individuals.
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